A historical context is offered, gazing at how films like Night of the Living Dead and The Last House on the Left set precedents which allowed Tobe Hooper’s classic to flourish at midnight screenings and drive-in theatres. Some of the widely told anecdotes are repeated here, such as how the sweltering conditions and a budget unable to cover washing the on-screen clothes made the shoot an ordeal. It’s pleasant to hear those stories again alongside tales not as well-known, such as how the crew found animal bones to make the film’s nightmare-inducing furniture.
It’s always interesting to peek behind the curtain and discover how the effects were realised, which makes discussions about the meat-hook scene so enthralling. Also revealed are humorous tales, such as Marilyn Burns recounting her happiness at finishing the shoot and never having to wear the unwashed clothes again, only to be told the final shot had to be done again. Most eye-opening is how the cast and crew were paid very little due to multiple companies having a financial interest in the film, and one such investor reportedly being a known mafia company that ripped them off.
After focusing on the filming and release of the feature, the time is taken to delve into the first three sequels which followed. The cast and crew talk candidly about the behind-the-scenes difficulties which plagued any hopes and dreams for these films, with a recurrent issue being the studios refusing to pay Gunnar Hansen a reasonable sum to return as Leatherface. It’s a fine point to end this documentary on, which showcases the enduring legacy birthed by scrappy filmmaking poured into this horror classic. It’s a shame there are instances of outdated language and a distasteful choice to queue-up real-life footage of Nazis with discussions about BBFC censorship, as they’re unfortunate blemishes on a fascinating documentary.